The
following material summarizes
analysis, research and discussion
by music teachers, administrators
and music advocates. These
people came together at several
meetings to share information
about reductions in school
music programs that are proposed
in school districts from time
to time.
Three questions were discussed during the
meetings:
1) What aspects of the music program seem to be
targets for reduction?
2) What are the likely reasons for proposing these
particular cuts?
3) What are some effective arguments in response
to the proposed program cuts?
General Suggestions
As music advocates become active in a school district and community, it is
valuable to draw upon the experience of others. For instance:
An essential first
step in communicating any of the following
information is to decide who
are the best advocates.
It is clear that in
most cases parents,
students and other community members
are the most effective advocates for
the music program.
A second step is to provide
advocates with accurate, up-to-date
information that
includes local data as well as statements,
opinions and research from state and
national sources.
General statements about the importance
of music may not be effective if a proposed
program cut is quite specific and affects
only a portion of the program.
It is important to
focus specifically on the proposed
cut and both the long
range and short range impact
the cut will have on students, the
school and the community.
Remind others that the U.S. Congress
has identified music as a core subject
on par with other "traditional studies."
Finally, a comprehensive education demands
a balance between creative/aesthetic
experience and other academic studies.
Program Targets
Program Target:Elementary
instrumental instruction
Possible Reasons
for Proposing this Particular Program Reduction:
Interruption in the school day.
Less important than other "special" programs
(reading recovery, counseling, etc.).
Independence of "site-based" management.
Equity (why should instrumental music
begin before other opportunities).
Save money (staff, equipment, supply
reductions).
Weak documentation of best age to begin
instruction in instrumental music.
Save classroom space.
Instructional time is needed for other
(high priority) academic subjects that
are assessed.
Dropout rate between beginning level
and high school.
Counterarguments:
Interruption
in the school day
School opportunities should be structured
to meet student/parent interests rather
than teacher/administrative convenience
(relate to the "consumers").
Research shows that "pullout" music
programs do not have a negative effect
on achievement. Students in music actually
score higher on standardized tests at
all levels.
Impact on overall student development
is very positive: auditory, perceptual,
aesthetic, work ethic - both immediate
response and long range response.
Stress the value
to the student.
Music study positively influences
achievement in other subjects
Reasons for
beginning in elementary school
Tends to involve parents more as
partners in learning.
Elementary school is physiologically
appropriate for learning instrumental
music.
Does not interfere or compete with
other opportunities which become available
at middle school.
Has great value and impact at this
younger age.
"Musical Intelligence" (Howard
Gardner, Frames of Mind) needs
to be developed at a young age.
4th & 5th grade students are
ready for some kind of specialization in their
learning.
Recent study showed that second graders
who had instrumental music instruction
scored higher on standardized math test
than students who did not.
Comparison to
other "special" programs
Need to offer options to build on
individual motivations and "special" intelligences.
Need to provide equity of opportunity
not based on social/cultural/economic
factors.
Need to provide an inclusive program,
rather than exclusive
"Drop-out" Rate
Each year of experience has value
in itself.
Some go on to other music experiences
within the school or community.
Save Money
Look at the long term effects: eventual
impact on middle and high school enrollment
in music.
Examine concept of John Benham's "Reverse
Economics." In most cases, music
teachers have a higher student-teacher
ratio than other teachers. Who will teach
the children who are no longer in music?
Instructional
Space
Rooms used for elementary instrumental
music instruction may also be available
part of the time for other instruction
or special needs.
Program Target:Reduced
instruction by specialists in elementary
general music. Possible reasons for proposing this
program reduction:
Reduce staff and save money.
Inability to find qualified/certified
music specialists.
Music can be incorporated into core
subjects as a tool, and need not be taught
separately.
Trend toward integration of subject
areas.
Counterarguments:
This is the one aspect of the music
program that touches all students.
It is the basis for subsequent learning
and interest in music.
Music is an independent core subject.
While it can support other studies, it
requires an independent curriculum.
Wisconsin is a good state in which to
teach. Recruiting efforts can be broadened.
The expertise of the music teacher brings
unique experiences to students in music
class and can also enrich other subjects.
Refer to "Eliminating elementary
instrumental instruction." Some
of the same arguments apply.
Program Target:Eliminate
individual or small group lessons in
instrumental music. Possible reasons
for proposing this program reduction:
Eliminate staff and save money.
Interruption in schedule.
Shortage of facilities for instruction.
Unique instructional pattern in comparison
to other subjects (special treatment).
Counterarguments:
Refer to "Eliminating elementary
instrumental instruction." Some
of the same arguments apply.
Uniqueness of music as a discipline
and area of learning
Instruction should be based on the optimum
way to learn within a subject rather
than forcing everything into one scheduling
pattern.
Equity is an important issue: Should
music lessons only be available to those
who can afford to pay for them by studying
privately outside of school?
Program Target:Reduce
music department supervisor or coordinator.
Possible reasons
for proposing this program reduction:
Reduce staff and save money.
Perception in the community of "too
many administrators."
Perceived ineffectiveness.
Lack of role definition.
The role does not provide direct services
to students.
Counterarguments:
Coordination ensures the effective use
of resources.
Coordination of curriculum, instruction
and activities is important.
Expertise in hiring effective staff
is important.
Important to maintain standards through
monitoring and supervision of programs.
Need to provide leadership in curriculum
development and unification.
Initiating relevant staff development
is important.
Music is a unique discipline with special
administrative needs within the school
program (equipment, safety issues, visibility
within the community).
Traveling teachers must have their special
needs met to be effective.
Program Target:Reduce
or eliminate middle school general music
classes.
Possible reasons for
proposing this program reduction:
Apathy of current teaching staff.
Redundant for those enrolled in choral
or instrumental music.
Reduce staff and save money.
Not appealing to students.
Instructional time is needed for other
core studies.
Counterarguments:
Wisconsin state education laws require
that general music be offered in the
middle school.
Music offers a variety of options for
exploration, consistent with middle school
philosophy.
Student interest is an argument for
curriculum revision, not course reduction.
Teacher disinterest is not a valid reason
to deprive students of educational opportunity.
Program Target:Reduce
instructional time for middle and high
school perfoming groups. Possible reasons for proposing this program
reduction:
Present scheduling model doesn't work
with block scheduling.
There is need to allocate instructional
time to "traditional core" subjects.
Counterarguments:
Academic schedules should respect the
learning needs of students in all subjects.
Community expectations for student music
performance require more student contact
time - not less.
Many schools have implemented block
scheduling while maintaining some yearlong
courses.
The long term implications of this reduction
will affect individual achievement, performing
group quality, and ability to serve school/community
events.